Fear God (UNDER CONSTRUCTION)

FEAR GOD

Revelation 14: 7 And I saw another angel fly in the midst of heaven, having the everlasting gospel to preach unto them that dwell on the earth, and to every nation, and kindred, and tongue, and people, 7Saying with a loud voice, Fear God, and give glory to him; for the hour of his judgment is come: and worship him that made heaven, and earth, and the sea, and the fountains of waters. 8And there followed another angel, saying, Babylon is fallen, is fallen, that great city, because she made all nations drink of the wine of the wrath of her fornication. 8And there followed another angel, saying, Babylon is fallen, is fallen, that great city, because she made all nations drink of the wine of the wrath of her fornication. 9And the third angel followed them, saying with a loud voice, If any man worship the beast and his image, and receive his mark in his forehead, or in his hand, 10The same shall drink of the wine of the wrath of God, which is poured out without mixture into the cup of his indignation; and he shall be tormented with fire and brimstone in the presence of the holy angels, and in the presence of the Lamb: 11And the smoke of their torment ascendeth up for ever and ever: and they have no rest day nor night, who worship the beast and his image, and whosoever receiveth the mark of his name. 12Here is the patience of the saints: here are they that keep the commandments of God, and the faith of Jesus.

Ecclesiastes 12:13 Let us hear the conclusion of the whole matter: Fear God, and keep his commandments: for this is the whole duty of man.14For God shall bring every work into judgment, with every secret thing, whether it be good, or whether it be evil.

Universality and Cosmology

ANALYZING UNDERLYING IMPETUSES AS REFLECTED IN HISTORY (1840's-present)
Religion Civil Rights Science and Technology Space Forms of government Wars and conflicts
Crimes against humanity Literature Entertainment

Universitarianism reflected in religions, military, and politics. (1800's) III

Sunday, November 28, 2010

Tom Dooley (song) (historical figure)

Tom Dooley (song)

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"Tom Dooley"
Recorded by Kingston Trio
Music sample
"Tom Dooley" is an old North Carolina folk song based on the 1866 murder of a woman named Laura Foster in Wilkes County, North Carolina. It is best known today because of a hit version recorded in 1958 by The Kingston Trio. This version was a multi-format hit, reaching #1 in Billboard, the Billboard R&B listing, and appearing in the Cashbox country music top 20. It fits within the wider genre of Appalachian 'sweetheart murder ballad' songs such as 'Down in the Willow Garden' and 'Rose Connelly', but 'Tom Dooley' is based on a real event.
The song was selected as one of the Songs of the Century by the Recording Industry Association of America (RIAA), the National Endowment for the Arts, and Scholastic Inc.
In the documentary Appalachian Journey (1991), folklorist Alan Lomax describes Frank Proffitt as the "original source" for the song. Since the song predates Frank Proffitt's early version, it appears that Lomax means that Proffitt's version is the one that has become most well known to us because the Kingston Trio derived their interpretation from it. Certainly, there is at least one earlier known recording, by Grayson and Whitter made in 1929, approximately 10 years before Proffitt cut his own recording.[1]

Contents

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[edit] History

Impoverished Confederate veteran Tom Dula (Dooley), Laura Foster's lover and probable fiancé, was convicted of her murder and hanged May 1, 1868.[2] Foster was stabbed to death with a large knife; the brutality of the attack partly accounted for the widespread publicity the murder and subsequent trial received.
Dula had a lover, prior to his leaving for the war, named Anne Melton. It was her comments that led to the discovery of Foster's body, but Melton was acquitted in a separate trial based on Dula's word. Dula's enigmatic statement on the gallows that he had not harmed Foster but still deserved his punishment led to press speculation that Melton was the actual killer and that Dula simply covered for her. Melton, who had once expressed jealousy of Dula's purported plans to marry Foster, died insane a few years after the homicide. Thanks to the efforts of newspapers such as The New York Times, and to the fact that former North Carolina governor Zebulon Vance represented Dula pro bono, Dula's murder trial and hanging were given widespread national publicity. A local poet, Thomas C. Land, wrote a popular song about Dula's tragedy after the hanging.[1]
A man named "Grayson," mentioned in the song as pivotal in Dula's downfall, has sometimes been characterized as a romantic rival of Dula's or a vengeful sheriff who captured him and presided over his hanging. Some variant lyrics of the song portray Grayson in that light, and the spoken introduction to the Kingston Trio version did the same. Col. James Grayson was actually a Tennessee politician who had hired Dula on his farm when the young man fled North Carolina under suspicion and was using a false name. Grayson did help North Carolinians capture Dula and was involved in returning him to North Carolina, but otherwise played no role in the case.[1]
Dula was tried in Statesville, because it was believed he could not get a fair trial in Wilkes County. He was given a new trial on appeal but he was again convicted, and hanged on May 1, 1868. His alleged accomplice, Jack Keaton, was set free. On the gallows, Dula reportedly stated, "Gentlemen, do you see this hand? I didn't harm a hair on the girl's head."[1]
Dula's last name was pronounced "Dooley," leading to some confusion in spelling over the years. (The pronunciation of a final "a" like "y" is an old feature in Appalachian speech, as in the term "Grand Ole Opry").[2] The confusion was probably compounded by the fact that Dr. Tom Dooley, an American physician known for international humanitarian work, was at the height of his fame in 1958, when the Kingston Trio version became a major hit.
The doleful ballad was probably first sung shortly after the execution and is still commonly sung in North Carolina.[1]

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