Fear God (UNDER CONSTRUCTION)

FEAR GOD

Revelation 14: 7 And I saw another angel fly in the midst of heaven, having the everlasting gospel to preach unto them that dwell on the earth, and to every nation, and kindred, and tongue, and people, 7Saying with a loud voice, Fear God, and give glory to him; for the hour of his judgment is come: and worship him that made heaven, and earth, and the sea, and the fountains of waters. 8And there followed another angel, saying, Babylon is fallen, is fallen, that great city, because she made all nations drink of the wine of the wrath of her fornication. 8And there followed another angel, saying, Babylon is fallen, is fallen, that great city, because she made all nations drink of the wine of the wrath of her fornication. 9And the third angel followed them, saying with a loud voice, If any man worship the beast and his image, and receive his mark in his forehead, or in his hand, 10The same shall drink of the wine of the wrath of God, which is poured out without mixture into the cup of his indignation; and he shall be tormented with fire and brimstone in the presence of the holy angels, and in the presence of the Lamb: 11And the smoke of their torment ascendeth up for ever and ever: and they have no rest day nor night, who worship the beast and his image, and whosoever receiveth the mark of his name. 12Here is the patience of the saints: here are they that keep the commandments of God, and the faith of Jesus.

Ecclesiastes 12:13 Let us hear the conclusion of the whole matter: Fear God, and keep his commandments: for this is the whole duty of man.14For God shall bring every work into judgment, with every secret thing, whether it be good, or whether it be evil.

Universality and Cosmology

ANALYZING UNDERLYING IMPETUSES AS REFLECTED IN HISTORY (1840's-present)
Religion Civil Rights Science and Technology Space Forms of government Wars and conflicts
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Universitarianism reflected in religions, military, and politics. (1800's) III

Saturday, November 27, 2010

Edmund Gosse [historical figure]

Edmund Gosse

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Edmund Gosse in 1857, with father Philip Henry Gosse.
Sir Edmund William Gosse CB[1] (21 September 1849 – 16 May 1928) was an English poet, author and critic; the son of Philip Henry Gosse and Emily Bowes.[2]

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[edit] Early life

Edmund Gosse's father was a naturalist and his mother an illustrator and published a number of books of poetry. Both were deeply committed to a small Protestant sect, the Plymouth Brethren. His childhood was initially happy as they spent their summers in Devon where his father was developing the ideas which gave rise to the craze for the marine aquarium. After his mother died of breast cancer when he was eight and they moved to Devon, his life with his father became increasingly strained by his father's expectations that he should follow in his religious tradition. Gosse was sent to a boarding school where he began to develop his own interests in literature. His father married in 1860 the deeply religious Quaker spinster Eliza Brightwen (1813–1900), whose brother Thomas tried to encourage Edmund to become a banker. He later gave an account of his childhood in the book Father and Son which has been described as the first psychological biography. At the age of 18 and working in the British museum in London, he broke away from his father's influence in a dramatic coming of age.
Eliza Gosse's brother George was the husband of Eliza Elder Brightwen (1830–1906), a naturalist and author, whose first book was published in 1871. After Eliza Elder Brightwen's death, Edmund Gosse arranged for the publication of her two posthumous works Last Hours with Nature (1908) and Eliza Brightwen, the Life and Thoughts of a Naturalist (1909), both edited by W. H. Chesson, and the latter book with an introduction and epilogue by Gosse.

[edit] Career

Gosse started his career as assistant librarian at the British Museum from 1867 alongside the songwriter Theo Marzials[3], a post which Charles Kingsley helped his father obtain for him. An early book of poetry published with a friend John Arthur Blaikie gave him an introduction to the Pre-Raphaelite Brotherhood. Trips to Denmark and Norway in 1872-4, where he visited Hans Christian Anderson and Frederik Paludan-Müller, led to publishing success with reviews of Ibsen and Bjørnson in the Cornhill Magazine.[4] He was soon reviewing Scandinavian literature in a variety of publications. He became acquainted with Alfred Lord Tennyson and friends with Robert Browning, Algernon Charles Swinburne, Thomas Hardy and Henry James.
In the meantime, he published his first solo volume of poetry, On Viol and Flute (1873) and a work of criticism, Studies in the Literature of Northern Europe (1879). Gosse and Robert Louis Stevenson first met while teenagers, and after 1879, when Stevenson came to London on occasion, he would stay with Gosse and his family. In 1875 Gosse became a translator at the Board of Trade, a post which he held until 1904 and gave him time for his writing[5] and enabled him to marry and start a family.
From 1884 to 1890 Gosse lectured in English literature at Trinity College, Cambridge, despite his own lack of academic qualifications. Cambridge University gave him an honorary MA in 1886, and Trinity College formally admitted him as a member, 'by order of the Council', in 1889.[6] He made a successful American lecture tour in 1884 and was in much demand as a speaker and on committees as well as publishing a string of critical works as well as poetry and histories.
He became, in the 1880s, one of the most important art critics dealing with sculpture (writing mainly for the Saturday Review) with an interest spurred on by his intimate friendship with the sculptor Hamo Thornycroft. Gosse would eventually write the first history of the renaissance of late-Victorian sculpture in 1894 in a four-part series for the Art Journal, dubbing the movement the New Sculpture.
Sir Edmund Gosse, by John Singer Sargent, 1886
In 1904, he became the librarian of the House of Lords Library, where he exercised considerable influence till he retired in 1914. He wrote for the Sunday Times, and was an expert on Thomas Gray, William Congreve, John Donne, Jeremy Taylor, and Coventry Patmore. He can also take credit for introducing Ibsen's work to the British public. Gosse and William Archer collaborated in translating Hedda Gabler and The Master Builder; those two translations were performed throughout the 20th century. Gosse and Archer, along with Shaw, were perhaps the literary critics most responsible for popularising Ibsen's plays among English-speaking audiences.
His most famous book is the autobiographical Father and Son, about his troubled relationship with his Plymouth Brethren father, Philip, which was dramatised for television by Dennis Potter. Published anonymously in 1907, this followed a biography he had written of his father as naturalist, when he was urged by George Moore among others to write more about his own part. Historians caution, though, that notwithstanding its pyschological insight and literary excellence, Gosse's narrative is often at odds with the verifiable facts of his own and his parents' lives.[7] In later life, he became a formative influence on Siegfried Sassoon, the nephew of his lifelong friend, Hamo Thornycroft. Sassoon's mother was a friend of Gosse's wife, Ellen. Gosse was also closely tied to figures such as Algernon Charles Swinburne, John Addington Symonds, and André Gide.

[edit] Personal life

Gosse married Ellen Epps (23 Mar 1850-29 Aug 1929), a young painter in the Pre-Raphaelite circle, who was the daughter of George Napoleon Epps, one of the Epps family of homeopaths. Though she was initially determined to pursue her art, she succumbed to his determined courting and they married in August 1875, with a reception at the house of Lawrence Alma-Tadema whose pupil she had been, visiting his parents, who did not attend the registry office wedding, at the end of their honeymoon in Devon and Cornwall. She continued to paint and wrote stories and reviews for various publications. In 1907, she inherited a sizeable fortune from her uncle, James Epps, the cocoa manufacturer.[4]
Theirs was a happy marriage lasting more than 50 years and they had three children, Emily Teresa (b. 1877), Phillip Henry George (1879-1959) and Laura Sylvia, who became a well-known painter. Philip Gosse became a doctor but is best known as the author of The Pirates' Who's Who (1924).[8][9]

[edit] Works

[edit] Published verse

  • Madrigals, Songs, and Sonnets (1870), co-author John Arthur Blaikie
  • On Viol and Flute (1873)
  • King Erik (1876)
  • New Poems (1879)
  • Firdausi in Exile (1885)
  • In Russet and Silver (1894)
  • Collected Poems (1896)
  • Hypolympia, or the Gods on the Island (1901), an "ironic phantasy," the scene of which is laid in the 20th century, though the personages are Greek gods, is written in prose, with some blank verse.

[edit] Critical works

  • English Odes (1881)
  • Seventeenth Century Studies (1883)
  • Life of William Congreve (1888)
  • The Jacobean Poets (1894)
  • Life and Letters of Dr John Donne, Dean of St Paul's (1899)
  • Jeremy Taylor (1904, "English Men of Letters")
  • Life of Sir Thomas Browne (1905)
  • Life of Thomas Gray, whose works he edited (4 vols., 1884)
  • A History of Eighteenth Century Literature (1889)
  • Gossip in a Library (essays about books, 1892)
  • History of Modern English Literature (1897)
  • Vols. iii. and iv. of an Illustrated Record of English Literature (1903–1904) undertaken in connection with Dr Richard Garnett.
  • French Profiles (1905)
  • More Books on the Table (1923)

[edit] Biography

[edit] Popular culture

[edit] External links

[edit] References

  1. ^ "The New Year Honours. Three Peerages., Rewards For Public Service., Two O.M.'S.". London: The Times. Thursday, 1 January 1925; Issue 43848. p. 13; col G. 
  2. ^ Sir Edmund Gosse
  3. ^ John Betjeman, Trains and Buttered Toast, John Murray 2007, ISBN 0719561272, page 170
  4. ^ a b Ann Thwaite (1984), Edmund Gosse, London, Secker & Warburg 
  5. ^ "GOSSE, Edmund". Who's Who, vol. 59: p. 706. 1907. http://books.google.com/books?id=yEcuAAAAYAAJ&pg=PA706. 
  6. ^ Gosse, Edmund William in Venn, J. & J. A., Alumni Cantabrigienses, Cambridge University Press, 10 vols, 1922–1958.
  7. ^ Ann Thwaite, Glimpses of the Wonderful: The Life of Philip Henry Gosse, 1810-1888 (London: Faber & Faber, 2002), xvi-xvii.
  8. ^ "Obituary: Philip Gosse". Br Med J 2: 761-762, 763-754. 1959. doi:10.1136/bmj.2.5154.761-c. 
  9. ^ Capt. Philip Henry George Gosse, M.D., Doctor, Naturalist, Author

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