Motif (narrative)
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In narrative, a motif 
(pronunciation) (help·info) is any recurring element that has symbolic significance in a story. Through its repetition, a motif can help produce other narrative (or literary) aspects such as theme or mood. [1][2]
(pronunciation) (help·info) is any recurring element that has symbolic significance in a story. Through its repetition, a motif can help produce other narrative (or literary) aspects such as theme or mood. [1][2]A narrative motif can be created through the use of imagery, structural components, language, or other narrative elements. The flute in Arthur Miller's play Death of a Salesman is a recurrent sound motif that conveys rural and idyllic notions. Another example from modern American literature is the green light found in the novel The Great Gatsby by F. Scott Fitzgerald.
Narratives can include multiple motifs of varying types. In his play Macbeth, Shakespeare uses a variety of narrative elements to create many different motifs. Imagistic references to blood and water are continually repeated. The phrase "fair is foul, and foul is fair" is echoed at many points in the play, a combination that mixes the concepts of good and evil. The play also features the central motif of the washing of hands, one that combines both verbal images and the movement of the actors.
In a narrative, a motif establishes a pattern of ideas that may serve different conceptual purposes in different works. Kurt Vonnegut, for example, in his non-linear narratives such as Slaughterhouse-Five and Cat's Cradle makes frequent use of motif to connect different moments that might seem otherwise separated by time and space.[3] In the American science fiction cult classic Blade Runner, director Ridley Scott uses motifs to not only establish a dark and shadowy film noir atmosphere, [4] but also to weave together the thematic complexities of the plot. Throughout the film, the recurring motif of ‘eyes’ is connected to a constantly changing flow of images, and sometimes violent manipulations, in order to call into question our ability, and the narrator's own, to accurately perceive and understand reality.[5][6][7]
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[edit] Usage
While it may appear interchangeable with the related concept theme,[8] the term 'motif' does differ somewhat in usage. Any number of narrative elements with symbolic significance can be classified as motifs - whether they are images, spoken or written phrases, structural or stylistic devices, or other elements like sound, physical movement, or visual components in dramatic narratives.
A motif is not necessarily a theme. The latter is usually defined as a message, statement, or idea, while a motif is simply a detail repeated for larger symbolic meaning, whatever that meaning may be.
In other words, a narrative motif – a detail repeated in a pattern of meaning - can produce a theme; but it can also create other narrative aspects distinct from theme.
Nevertheless, the distinction between the two terms remains difficult to distinguish precisely. For instance, the term "thematic patterning" has been used to describe the way in which "recurrent thematic concepts" are patterned to produce meaning, such as the "moralistic motifs" found throughout the stories epic narrative One Thousand and One Nights.[9]
[edit] Dispute
Some literary theorists believe that the motif is an ineffective descriptor in itself, as the use of a motif or pattern is, if it is intentional, interwoven in a larger scheme of the work, such as a theme or in symbolism. Those who disapprove of the motif in general understand its implications throughout analytical reading but require more support to uphold its existence.
