Fear God (UNDER CONSTRUCTION)

FEAR GOD

Revelation 14: 7 And I saw another angel fly in the midst of heaven, having the everlasting gospel to preach unto them that dwell on the earth, and to every nation, and kindred, and tongue, and people, 7Saying with a loud voice, Fear God, and give glory to him; for the hour of his judgment is come: and worship him that made heaven, and earth, and the sea, and the fountains of waters. 8And there followed another angel, saying, Babylon is fallen, is fallen, that great city, because she made all nations drink of the wine of the wrath of her fornication. 8And there followed another angel, saying, Babylon is fallen, is fallen, that great city, because she made all nations drink of the wine of the wrath of her fornication. 9And the third angel followed them, saying with a loud voice, If any man worship the beast and his image, and receive his mark in his forehead, or in his hand, 10The same shall drink of the wine of the wrath of God, which is poured out without mixture into the cup of his indignation; and he shall be tormented with fire and brimstone in the presence of the holy angels, and in the presence of the Lamb: 11And the smoke of their torment ascendeth up for ever and ever: and they have no rest day nor night, who worship the beast and his image, and whosoever receiveth the mark of his name. 12Here is the patience of the saints: here are they that keep the commandments of God, and the faith of Jesus.

Ecclesiastes 12:13 Let us hear the conclusion of the whole matter: Fear God, and keep his commandments: for this is the whole duty of man.14For God shall bring every work into judgment, with every secret thing, whether it be good, or whether it be evil.

Universality and Cosmology

ANALYZING UNDERLYING IMPETUSES AS REFLECTED IN HISTORY (1840's-present)
Religion Civil Rights Science and Technology Space Forms of government Wars and conflicts
Crimes against humanity Literature Entertainment

Universitarianism reflected in religions, military, and politics. (1800's) III

Sunday, October 24, 2010

Remake

Remake

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A remake is a piece of media based primarily on an earlier work of the same medium.

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The term "remake" is generally used in reference to a movie which uses an earlier movie as the main source material, rather than in reference to a second, later movie based on the same source. For example, 2001's Ocean's Eleven is a remake of the 1960 film, while 1989's Batman is a re-interpretation of the comic book source material which also inspired 1966's Batman.
With some exceptions, remakes make significant character, plot, and theme changes. For example, the 1968 film The Thomas Crown Affair is centered on a bank robbery, while its 1999 remake involves the theft of a valuable piece of artwork. Similarly, when the 1969 film The Italian Job was remade in 2003, few aspects were carried over. Another notable example is the 1932 film Scarface which was remade in 1983 starring Al Pacino; whereas the setting of 1932 version is the illegal alcohol trade, the characters in the 1983 version are involved in cocaine smuggling. Sometimes a remake is made by the same director. For example, Yasujiro Ozu's black and white A Story of Floating Weeds was remade into the color Floating Weeds. Alfred Hitchcock remade his 1934 black and white The Man Who Knew Too Much in color in 1956; as did Cecil B. DeMille with his 1956 remake of his silent 1923 film The Ten Commandments. Most recently, in 2008, Michael Haneke made Funny Games U.S., his English-language remake of his original Funny Games.
Not all remakes use the same title as the previously released version; 1983's Never Say Never Again, for instance, is a remake of the 1965 film Thunderball; the 1966 film Walk, Don't Run is a remake of the World War II comedy The More the Merrier. This is particularly true for films that are remade from films produced in another language, such as: Point of No Return (from the French Nikita), Vanilla Sky (from the Spanish Abre los ojos), The Magnificent Seven (from the Japanese Seven Samurai), A Fistful of Dollars (from the Japanese Yojimbo), and The Departed (from Hong Kong's Infernal Affairs).
In the history of cinema, remakes have generally been considered inferior to earlier versions by film critics and cinema-goers alike, e.g., The Wicker Man, Psycho,The Fog, My Man Godfrey, Show Boat, Born Yesterday, Babes in Toyland, Sabrina, and The Karate Kid, among many others.[1]
Although it does not meet the definition of a remake, a similar (and increasingly common) development is the use of a successful (usually older) television series as the source material for a feature film. Like film remakes, these often fare badly at the box-office and/or are considered a poor reflection on the source material (e.g. The Beverly Hillbillies, Bewitched, My Favorite Martian, Dudley Do-Right); however, some have gone on to become successful film franchises (e.g. Scooby-Doo, The Addams Family, Mission: Impossible).

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