Fear God (UNDER CONSTRUCTION)

FEAR GOD

Revelation 14: 7 And I saw another angel fly in the midst of heaven, having the everlasting gospel to preach unto them that dwell on the earth, and to every nation, and kindred, and tongue, and people, 7Saying with a loud voice, Fear God, and give glory to him; for the hour of his judgment is come: and worship him that made heaven, and earth, and the sea, and the fountains of waters. 8And there followed another angel, saying, Babylon is fallen, is fallen, that great city, because she made all nations drink of the wine of the wrath of her fornication. 8And there followed another angel, saying, Babylon is fallen, is fallen, that great city, because she made all nations drink of the wine of the wrath of her fornication. 9And the third angel followed them, saying with a loud voice, If any man worship the beast and his image, and receive his mark in his forehead, or in his hand, 10The same shall drink of the wine of the wrath of God, which is poured out without mixture into the cup of his indignation; and he shall be tormented with fire and brimstone in the presence of the holy angels, and in the presence of the Lamb: 11And the smoke of their torment ascendeth up for ever and ever: and they have no rest day nor night, who worship the beast and his image, and whosoever receiveth the mark of his name. 12Here is the patience of the saints: here are they that keep the commandments of God, and the faith of Jesus.

Ecclesiastes 12:13 Let us hear the conclusion of the whole matter: Fear God, and keep his commandments: for this is the whole duty of man.14For God shall bring every work into judgment, with every secret thing, whether it be good, or whether it be evil.

Universality and Cosmology

ANALYZING UNDERLYING IMPETUSES AS REFLECTED IN HISTORY (1840's-present)
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Universitarianism reflected in religions, military, and politics. (1800's) III

Showing posts with label mill. Show all posts
Showing posts with label mill. Show all posts

Friday, October 22, 2010

William Miller (preacher)


William Miller (preacher)

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William Miller

William Miller
BornFebruary 15, 1782 (1782-02-15) Pittsfield, Massachusetts
DiedDecember 22, 1849 (aged 67)
Hampton, New York
OccupationAuthor
Teacher
Minister/Preacher
Military officer
Farmer
SpouseLucy Smith
William Miller (February 15, 1782 – December 20, 1849) was an American Baptist preacher, whose followers have been termed Millerites. He is credited with the beginning of the Adventism movement of the 1830s and 1840s in North America. Among his direct spiritual heirs are several major religious denominations, including Seventh-day Adventists and Advent Christians. Later movements found inspiration in Miller's emphasis on Bible prophecy.

Contents

[show]

[edit] Early life

William Miller was born on February 15, 1782, in Pittsfield, Massachusetts. His parents were Captain William Miller, a veteran of the American Revolution, and Paulina, the daughter of Elnathan Phelps. When he was four years old, his family moved to rural Low Hampton, New York. Miller was educated at home by his mother until the age of nine, when he attended the newly established East Poultney District School. Miller is not known to have undertaken any type of formal study after the age of eighteen, though he continued to read widely and voraciously.[citation needed] As a youth, he had access to the private libraries of Judge James Witherell and Congressman Matthew Lyon in nearby Fairhaven, Vermont, as well as that of Alexander Cruikshanks of Whitehall, New York.[1] In 1803, Miller married Lucy Smith and moved to her nearby hometown of Poultney, where he took up farming. While in Poultney, Miller was elected to a number of civil offices, starting with the office of Constable. In 1809 he was elected to the office of Deputy Sheriff and at an unknown date was elected Justice of the Peace. Miller served in the Vermont militia and was commissioned a lieutenant on July 21, 1810. He was reasonably well off, owning a house, land, and at least two horses.
Shortly after his move to Poultney, Miller rejected his Baptist heritage and became a Deist. In his biography Miller records his conversion: "I became acquainted with the principal men in that village [Poultney, Vermont], who were professedly Deists; but they were good citizens, and of a moral and serious deportment. They put into my hands the works of Voltaire, [David] Hume, Thomas Paine, Ethan Allen, and other deistical writers."[2]

[edit] Military service

At the outbreak of the War of 1812, Miller raised a company of local men and traveled to Burlington, Vermont. He transferred to the 30th Infantry Regiment in the regular army of the United States with the rank of lieutenant. Miller spent most of the war working as a recruiter and on February 1, 1814, he was promoted to captain. He saw his first action at the Battle of Plattsburgh, where vastly outnumbered American forces overcame the British. "The fort I was in was exposed to every shot. Bombs, rockets, and shrapnel shells fell as thick as hailstones", he said. One of these many shots had exploded two feet from him, wounding three of his men and killing another, but Miller survived without a scratch. Miller came to view the outcome of this battle as miraculous, and therefore at odds with his deistic view of a distant God far removed from human affairs. He later wrote, "It seemed to me that the Supreme Being must have watched over the interests of this country in an especial manner, and delivered us from the hands of our enemies... So surprising a result, against such odds, did seem to me like the work of a mightier power than man."[3]

[edit] Religious views

Part of a series on
Adventism
William Miller.jpg
William Miller
Background and History Christianity · Protestantism
Anabaptists
· Restorationism
Pietism
· Millerites
Great Disappointment

Biographies William Miller
Nelson H. Barbour
· Joseph Bates
Sylvester Bliss
· Jonathan Cummings
Elon Galusha
· Apollos Hale
Joshua V. Himes
· Charles F. Hudson
Josiah Litch
· Rachel O. Preston
T. M. Preble
· George Storrs
John T. Walsh · Jonas Wendell
Ellen G. White
· James White
John Thomas

Theology Annihilationism · Conditional immortality
Historicism
· Intermediate state
Premillennialism
Adventist Denominations Advent Christian Church
Christadelphian

Seventh-day Adventist Church

Church of God (Seventh-Day)

Church of God General Conference

Church of the Blessed Hope

Seventh Day Adventist Reform Movement

Davidian SDA (Shepherd's Rod)

United Seventh-Day Brethren

Branch Davidian

Primitive Advent Christian Church

After the war, and following his discharge from the army on June 18, 1815, Miller returned to Poultney. Shortly after his return however, he moved with his family back to Low Hampton, where he purchased a farm[4] (now a historic site owned and operated by Adventist Heritage Ministry). Throughout this time period Miller was deeply concerned with the question of death and an afterlife. This reflection upon his own mortality followed the recent deaths of his father and sister; and his experiences as a soldier in the war. Miller apparently felt that there were only two options possible following death: annihilation, and accountability; neither of which he was comfortable with.
Soon after his return to Low Hampton, Miller took tentative steps towards regaining his Baptist faith. At first he attempted to combine both, publicly espousing Deism while simultaneously attending his local Baptist church. His attendance turned to participation when he was asked to read the day's sermon during one of the local minister's frequent absences. His participation changed to commitment one Sunday when he was reading a sermon on the duties of parents and became choked with emotion.[5] Miller records the experience: "Suddenly the character of a Savior was vividly impressed upon my mind. It seemed that there might be a Being so good and compassionate as to Himself atone for our transgressions, and thereby save us from suffering the penalty of sin. I immediately felt how lovely such a Being must be; and imagined that I could cast myself into the arms of, and trust in the mercy of, such an One."[6]
Following his conversion, Miller was soon challenged by his Deist friends to justify his newfound faith. He did so by examining the Bible closely, declaring to one friend "If he would give me time, I would harmonize all these apparent contradictions to my own satisfaction, or I will be a Deist still."[7] Miller commenced with Genesis 1:1, studying each verse and not moving on until he felt the meaning was clear. In this way he became convinced firstly, that postmillennialism was unbiblical; and secondly, that the time of Christ’s Second Comingprophecy. was revealed in Bible

Miller's interpretation of the 2300 day prophecy time line and its relation to the 70 week prophecy

Beginning of the 70 Weeks: The decree of Artaxerses in the 7th year of his reign (457 BC) as recorded in Ezra marks beginning of 70 weeks. King's reigns were counted from New Year to New Year following an 'Accession Year'. The Persian New Year began in Nisan (March-April). The Jewish civil New Year began in Tishri (September-October).
Basing his belief principally on Daniel 8:14: "Unto two thousand and three hundred days; then shall the sanctuary be cleansed", Miller assumed that the cleansing of the sanctuary represented the Earth's purification by fire at Christ's Second Coming. Then, using the interpretive principle of the "day-year principle", Miller, and others, interpreted a day in prophecy to read not as a 24-hour period, but rather as a calendar year. Further, Miller became convinced that the 2,300 day period started in 457 B.C. with the decree to rebuild Jerusalem by Artaxerxes I of Persia. Simple calculation then revealed that this period would end in 1843. Miller records, "I was thus brought... to the solemn conclusion, that in about twenty-five years from that time 1818 all the affairs of our present state would be wound up."[8]
Although Miller was convinced of his calculations by 1818, he continued to study privately until 1823 to ensure the correctness of his interpretation. In September 1822, Miller formally stated his conclusions in a twenty-point document, including article 15: "I believe that the second coming of Jesus Christ is near, even at the door, even within twenty-one years,--on or before 1843."[9] Miller did not, however, begin his public lecturing until the first Sunday in August, 1831 in the town of Dresden.[10]
In 1832 Miller submitted a series of sixteen articles to the Vermont Telegraph, a Baptist newspaper. The first of these was published on May 15, and Miller writes of the public's response: "I began to be flooded with letters of inquiry respecting my views; and visitors flocked to converse with me on the subject."[7] In 1834, unable to personally comply with many of the urgent requests for information and the invitations to travel and preach that he received, Miller published a synopsis of his teachings in a 64 page tract with the lengthy title:Evidence from Scripture and History of the Second Coming of Christ, about the Year 1843: Exhibited in a Course of Lectures.

[edit] Millerism

A chart showing Miller's calculations which mark the Second Coming at 1843
From 1840 onwards, Millerism was transformed from an "obscure, regional movement into a national campaign." The key figure in this transformation was Joshua Vaughan Himes, the pastor of Chardon Street Chapel in Boston, Massachusetts, and an able and experienced publisher. Though Himes did not fully accept Miller’s ideas until 1842, he established the fortnightly paper Signs of the Times on February 28, 1840, to publicize them.[11]
Despite the urging of his supporters, Miller never personally set an exact date for the expected Second Advent. However, in response to their urgings, he did narrow the time-period to sometime in the Jewish year[12] March 21, 1844, passed without incident, and further discussion and study resulted in the brief adoption of a new date (April 18, 1844) based on the Karaite Jewish calendar (as opposed to the Rabbinic calendar).[13] Like the previous date, April 18 passed without Christ's return. Miller responded publicly, writing, "I confess my error, and acknowledge my disappointment; yet I still believe that the day of the Lord is near, even at the door."[14] beginning in the Gregorian year 1843, stating: "My principles in brief, are, that Jesus Christ will come again to this earth, cleanse, purify, and take possession of the same, with all the saints, sometime between March 21, 1843, and March 21, 1844.
In August 1844 at a camp-meeting in Exeter, New Hampshire, Samuel S. Snow presented a message that became known as the "seventh-month" message or the "true midnight cry." In a discussion based on scriptural typology, Snow presented his conclusion (still based on the 2300 day prophecy in Daniel 8:14), that Christ would return on, "the tenth day of the seventh month of the present year, 1844."[15] Again using the calendar of the Karaite Jews, this date was determined to be October 22, 1844.

[edit] The Great Disappointment

The sun rose on the morning of October 23 like any other day, and October 22 became the Millerites' Great Disappointment. Hiram Edson recorded that "Our fondest hopes and expectations were blasted, and such a spirit of weeping came over us as I never experienced before... We wept, and wept, till the day dawn."[16]Great Disappointment most Millerites simply gave up their beliefs. Some did not and viewpoints and explanations proliferated. Miller initially seems to have thought that Christ’s Second Coming was still going to take place—that "the year of expectation was according to prophecy; but...that there might be an error in Bible chronology, which was of human origin, that could throw the date off somewhat and account for the discrepancy."[17] Miller never gave up his belief in the Second Coming of Christ; he died on December 20, 1849, still convinced that the Second Coming was imminent. Miller is buried near his home in Low Hampton, NY and his home is a registered National Historic Landmark and preserved as a museum: William Miller's Home. Following the

William Miller's New York home
Estimates of Miller's followers—the Millerites—vary between 50,000, and 500,000. Miller’s legacy includes the Advent Christian Church with 61,000 members, and the Seventh-day Adventist Church with over 16 million members. Both these denominations have a direct connection with the Millerites and the Great Disappointment of 1844. A number of other individuals with ties to the Millerites founded various short-lived groups. These include Clorinda S. Minor, who led a group of seven to Palestine to prepare for Christ's second coming at a later date.

[edit] Miller and Freemasonry

Miller was an active Freemason until 1831.[18][19][20]
Miller resigned his Masonic membership in 1831, stating that he did so to "avoid fellowship with any practice that may be incompatible with the word of God among masons".[21]
By 1833 he wrote in a letter to treat Freemasonry "as they would any other evil".[22]

[edit] Resources

Mills Brothers

Mills Brothers

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The Mills Brothers
Background information
Origin Piqua, Ohio, United States
Genres Jazz, Traditional Pop
Years active 1928-1982
Labels Brunswick, Decca, Dot
Website The Mills Brothers official site
Former members
John Mills Jr.
Herbert Mills
Harry Mills
Donald Mills
John Mills Sr.
The Mills Brothers, sometimes billed as The Four Mills Brothers, were an American jazz and pop vocal quartet of the 20th century who made more than 2,000 recordings that combined sold more than 50 million copies, and garnered at least three dozen gold records. The Mills Brothers were inducted into The Vocal Group Hall of Fame in 1998.

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[edit] Early years

The group was originally composed of four African-American brothers born in Piqua, Ohio, 25 miles (40 km) north of Dayton: John Jr. (October 19, 1910[1] - January 23, 1936) bassist and guitarist, Herbert (April 2, 1912 - April 12, 1989) tenor, Harry (August 19, 1913 - June 28, 1982) baritone, and Donald (April 29, 1915 - November 13, 1999) lead tenor. Their parents were John H. (February 11, 1882 – December 8, 1967) and Eathel Mills. John Sr. owned a barber shop and founded a barbershop quartet, called the '"Four Kings of Harmony"'.
As the boys grew older, they began singing in the choir of the Cyrene African Methodist Episcopal Church and in the Park Avenue Baptist Church in Piqua. After their lessons at the Spring Street Grammar School, they would gather in front of their father's barbershop on Public Square or at the corner of Greene and Main to sing and play the kazoo to passersby.
They entered an amateur contest at Piqua's Mays Opera House, but while on stage, Harry discovered he had lost his kazoo. He cupped his hands to his mouth and imitated a trumpet. The success of his imitation led to all the brothers taking on instruments to imitate and created their early signature sound. John Jr. accompanied the four-part harmony first with a ukulele and then a guitar. They practiced imitating orchestras they heard on the radio. John, as the bass, would imitate the tuba. Harry, a baritone, imitated the trumpet, Herbert became the second trumpet and Donald the trombone. They entertained on the Midwest theater circuit, at house parties, tent shows, music halls and supper clubs throughout the area and became well known for their close harmonies, mastery of scat singing, and their ability to imitate musical instruments with their voices.

[edit] Rise to stardom

In 1928, after playing May's Opera House in Piqua between Rin Tin Tin features, the brothers accompanied the Harold Greenameyer Band to Cincinnati for an audition with radio station WLW. The band was not hired, but the Mills brothers were. With the help of Seger Ellis, WLW Cincinnati DJ and a music legend of the '20s, they quickly became local radio stars and got their major break when Duke Ellington and his Orchestra played a date in Cincinnati. When the youngsters sang for Duke, he called Tommy Rockwell at Okeh Records, who signed them and brought the group to New York.
In September 1930, Ralph Wonders urged broadcasting executive William S. Paley, at CBS Radio in New York, to turn on his office speaker and listen to an audition of four young men. For the audition they were '"The Mills Brothers,"' but they had been known by many other names. They were billed as "The Steamboat Four" when they sang for Sohio. They had been called the "Four Boys and a Guitar" on their Sunday shows. When Paley heard their performance, he immediately went downstairs and put them on the air. The next day, the Mills Brothers signed a three-year contract and became the first African-Americans to have a network show on radio.
Their first recording for Brunswick Records, a cover of the Original Dixieland Jass Band standard "Tiger Rag" became a nationwide seller. Other hits followed -- "Goodbye Blues", their theme song, "You're Nobody's Sweetheart Now", "Ole Rockin' Chair", "Lazy River", "How'm I Doin'", and others. They remained on Brunswick until late 1934, when they signed with Decca, where they stayed well into the 1950s. On all of their Brunswick records, as well as the early Decca's, the label stated:
No musical instruments or mechanical devices used on this recording other than one guitar
They were a hit on CBS in 1930-1931, particularly when they co-starred on the widely popular The Fleischmann's Yeast Hour hosted by Rudy Vallee. They had their own popular radio series in 1932-1933, one of the earliest built around a black act, billed as the "Four Boys and a Guitar". Before their show announcers commonly explained to listeners that the only instrument was a guitar, as the vocal effects made many listeners think they were hearing a muted trumpet, saxophone, and string bass.
The Mills Brothers were sponsored by some of the largest advertisers in early radio; Standard Oil, Procter & Gamble, Crisco, and Crosley Radio. They began appearing in films. Their first, The Big BroadcastParamount Pictures, 1932) was an all-star radio revue that included Bing Crosby, Cab Calloway, and the Boswell Sisters. They also made three "bouncing ball" cartoon shorts for the Fleischer Brothers. In 1934, the Brothers starred with Crosby for Woodbury Soap, and recorded their classics "Lazy Bones", "Sweet Sue", "Lulu's Back in Town", "Bye-Bye Blackbird", "Sleepy Head", and "Shoe Shine Boy". Their film appearances included Twenty Million Sweethearts (Warner Brothers, 1934) and Broadway Gondolier, (Warner Brothers, 1935). (
In 1934, The Mills Brothers became the first African-Americans to give a command performance before British royalty. They performed at the Regal Theatre for a special audience: King George V, Queen Mary, and their mother. While performing in England, John Jr. became ill. It took him months to recover from battling pneumonia. Before he was completely well, the brothers returned to England. John Jr. once again became sick and died in the beginning of 1936.
The remaining brothers considered breaking up, but their mother told them John Jr. would want them to continue. They followed her suggestion and their father, John Sr. replaced John Jr. as the baritone and tuba. At this time, Norman Brown joined the Brothers as their guitar player.

[edit] War years

Through 1939 the group enjoyed remarkable success in Europe. Herbert recalls,
We left England for the last time just three days before war was declared on Germany and the only boat we could get was to Australia. We were overseas from then on except for two months in 1940 and then we went back to South America. We didn't get back until 1941. In the meantime the Ink Spots were coming up, and people had sort of forgotten us.
In the period between John Jr.'s death and their return to the States, they re-recorded "Lazy River". It was followed by "Someday You'll Want Me to Want You," "Swing Is the Thing," "Long About Midnight," "Organ Grinder's Swing", and "The Song is Ended." They honored Duke Ellington with a swing version of his "Caravan," and then produced a series of classic recordings; "South of the Border," which they performed in a tour of South America, along with "Ain't Misbehavin'," "It Don’t Mean a Thing," "Jeepers Creepers," "Three Little Fishies," and "Basin Street Blues."
During this era, there was also a brief time when the group performed with a non‑family singer. Gene Smith served as a stand-in for one year when Harry was drafted into the Army. Although Smith's solo singing did not particularly resemble the group's usual sound, he was able to harmonize well until the fourth brother's return. Smith is very noticeable in a number of the Mills Brothers' film appearances.
Returning to the States, the Brothers were anxious for a hit and recorded "I'll be Around" in 1943. Donald Mills chose "Paper Doll" as the B-side of the record. "I'll Be Around" became a popular hit, then a disk jockey turned the record over. "Paper Doll", recorded in fifteen minutes, sold six million copies and became the group's biggest hit.

[edit] Post-war years

The rise of rock and roll in the early fifties did little to decrease the Mills Brothers popularity. "Glow Worm" jumped to number one on the pop charts in 1952. "Opus One", an updated version to the Tommy Dorsey hit, was soon on the charts as well, followed by "You're Nobody 'Til Somebody Loves You", "The Jones Boy", "Yellow Bird", "Standing on the Corner", and "If I Had My Way".
In 1957, John Sr., who was 68, stopped touring with the group. As a trio, the Mills Brothers were frequent guests on The Jack Benny Show, The Perry Como Show, The Tonight Show and The Hollywood Palace. A move from Decca to Dot Records brought a moderate 1958 hit, a cover of the Silhouettes' "Get a Job" that made explicit the considerable influence on doo-wop that the early Mills Brothers records had exerted. The Mills Brothers also charted "Yellow Bird" two years prior to Arthur Lyman's Top Ten hit remake.
"Cab Driver", recorded in 1968, was their last great hit. (#23 pop, #3 easy listening) It was written by songwriter C. Carson Parks, who also penned "Somethin' Stupid", a hit the previous year for Frank SinatraNancy. and his daughter

[edit] Later years

The Mill Brothers' fiftieth anniversary in show business was celebrated in 1976 with a tribute at the Dorothy Chandler Pavilion in Los Angeles, hosted by Bing Crosby. At the time, Harry was now almost blind because of diabetes.
As a trio, Herbert, Harry and Donald continued performing on the oldies circuit until Harry's death in 1982. Herbert and Donald continued until Herbert's death in 1989. Then, Donald began performing with the third generation of the family – his son, John III. In 1998 the Recording Academy recognized the Mills family's contributions to popular music when it presented Donald, as the sole surviving member, with a GrammyLifetime Achievement. Award for
After Donald's death of pneumonia on November 13, 1999, John III began touring under the name "The Mills Brothers" with Elmer Hopper, who had previously sung lead with Paul Robi's Platters.

[edit] Influence

In the late 1960s, Dean Martin, asked his producer Greg Garrison to book the Mills Brothers on The Dean Martin Show, explaining that Harry Mills was his greatest musical influence, more so than Frank Sinatra and Bing Crosby.[2] The Bee Gees have also cited the Mills Brothers as an early influence.

[edit] Discography

[edit] Film appearances

Sources[3][4][5]

Hayley Mills

Hayley Mills

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  (Redirected from Haley Mills)
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Hayley Mills
Born Hayley Catherine Rose Vivien Mills
18 April 1946 (age 64)
(1946-04-18) London, England, UK
Occupation Actress, singer
Years active 1947–present
Spouse Roy Boulting (1971–1977)
Hayley Mills (born 18 April 1946) is an English actress. The daughter of John Mills and Mary Hayley Bell, and sister of actress Juliet Mills, Mills began her acting career as a child and was hailed as a promising newcomer, winning the BAFTA Award for Most Promising Newcomer for Tiger Bay (1959), the Academy Juvenile Award for Pollyanna (1960) and Golden Globe Award for New Star of the Year – Actress in 1961. During her early career, she appeared in several films for Walt Disney.
During the late 1960s she began performing in theatrical plays, and played in more mature roles. The age of contracts with studios soon passed. Although she has not maintained the box office success nor the Hollywood A-list she experienced as a child actress, she has continued to make movies and TV appearances, having two movies in post-production in 2010.
In 2007 Mills became a main character in the ITV Series Wild at Heart.

Contents

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[edit] Early life and career

Mills was born Hayley Catherine Rose Vivian Mary Mills in London, England, the younger daughter of actor Sir John Mills and playwright Mary Hayley Bell. She is also the younger sister of actress Juliet Mills and the cousin of Susie Blake, who played Bev Unwin in the long running ITV soap Coronation Street.
Mills was 12 when she was discovered by J. Lee Thompson, who was initially looking for a boy to play the lead role in Tiger Bay. Walt Disney's wife, Lillian Disney, saw her performance and suggested that Mills be given the lead role in Pollyanna. The role of the "glad girl" who moves in with her aunt catapulted Mills to super-stardom in the United States and earned her a special Academy Award.[1][2]
Disney subsequently cast Mills as twins Sharon and Susan who reunite their divorced parents in The Parent Trap. In the film, Mills sings the hit song "Let's Get Together." She made four additional films for Disney in a four-year span, including In Search of the Castaways and Summer Magic. The advent of the British Invasion in popular music in 1964, courtesy of The Beatles, allowed the maturing Mills to maintain her popularity. Her final two Disney films, The Moon-Spinners and That Darn Cat!, did very well at the box office, aided by a well-publicized meeting between Mills and Beatle George Harrison in March 1964.[3]
During her six-year run at Disney, Mills was arguably the most popular child actress of the era. Critics noted that America's favourite child star was, in fact, quite British and very lady-like. The success of "Let's Get Together" (which hit No. 8 on the Billboard Hot 100 singles chart) also led to the release of a record album on Disney's Buena Vista label, Let's Get Together with Hayley Mills, which also included her only other hit song, "Johnny Jingo" (Billboard No. 21, 1962).
In addition to her Disney movies, Mills took the lead in several other films, notably Whistle Down the WindMary Hayley Bell), The Truth About SpringJohn Mills, cast as her father and James MacArthur as the love interest), and The Chalk Garden. (based on the book of the same title written by her mother, (with her real father,
Mills was considered for the role of Lolita Haze in Stanley Kubrick's 1962 film version of Lolita. However, Walt Disney discouraged the casting, feeling the role was not up to Disney's wholesome standard, and the part eventually went to Sue Lyon.

[edit] Post-Disney film career

After her contract with Disney expired in 1965, Mills starred in the enduring comedy The Trouble with Angels, opposite screen veteran Rosalind Russell. Looking to break from her girl-next-door image, Mills went home to England to appear as a mentally challenged teenager in the film Sky West and Crooked, which was directed by her father and written by her mother. Shortly thereafter, Mills was persuaded by her father and director Roy Boulting to star in The Family Way, a comedy about a couple having difficulty consummating their marriage, featuring a score by Paul McCartney and arrangements by Beatles producer George Martin. She then starred as the protagonist of Pretty Polly, opposite famous Indian film actor Shashi Kapoor in Singapore. After her appearance in The Kingfisher Caper in 1975, Mills dropped out of the film industry for a few years.[4]

[edit] Television resurgence and reception

In 1981, Mills returned to acting with a starring role in the UK television mini-series The Flame Trees of Thika, based on Elspeth Huxley's memoir of her childhood in East Africa. The series was well received, prompting Mills to accept more acting roles. She then returned to America, and made several appearances on The Love Boat.
Always welcomed at Disney, Mills narrated an episode of The Wonderful World of Disney, sparking renewed interest in her Disney work. In 1986, she reprised her roles as twins Sharon and Susan for a trio of Parent Trap television movies: The Parent Trap II, The Parent Trap III, and The Parent Trap IV: Hawaiian Honeymoon. Mills also starred as the title character in the Disney Channel-produced television series Good Morning, Miss Bliss in 1987. The show was cancelled after 13 episodes, and the rights were acquired by NBC, who reformatted Good Morning, Miss Bliss into Saved by the Bell. In recognition for her work with The Walt Disney Company, Mills was awarded the prestigious Disney Legends award in 1998.[5]
Mills recalled her childhood in the 2000 documentary film Sir John Mills' Moving Memories which was written by her brother Jonathan. In 2007, she began appearing (alongside her sister Juliet) as Caroline in the ITV1 African vet drama, Wild at Heart.

[edit] Stage career

Mills made her stage debut in a 1966 West End revival of Peter Pan. In 2000, she made her Off BroadwayNoel Coward's Suite in Two Keys, opposite American actress Judith Ivey, for which she won a Theatre World Award. In 1991 she then appeared as Anna Leonowens in the Australian production of The King and I. debut in Sir

[edit] Personal life

While filming The Family Way, the 20-year-old Mills met 53-year-old director Roy Boulting. The two married in 1971, and owned an apartment in London's Kensington. They then went on to purchase Cobstone Windmill in Ibstone, Buckinghamshire. The couple divorced in 1977. They had one child, Crispian Mills, who achieved recognition as the lead singer and guitarist for the psychedelic rock band Kula Shaker. Mills currently lives in New York City.
Mills later had a second son, Jason Lawson, during a relationship with British actor Leigh Lawson.
Mills has had involvement with the International Society for Krishna Consciousness (the "Hare Krishna" movement).[6] She wrote the preface to the book, The Hare Krishna Book of Vegetarian Cooking, published in 1984.

[edit] Filmography

Film & Television
Year↓ Title↓ Role↓ Notes
1947 So Well Remembered Infant (uncredited)
1959 Tiger Bay Gillie Won–Silver Bear Extraordinary Prize of the Jury at Berlin[7]
Won–BAFTA Film Award
1960 Pollyanna Pollyanna Won–Academy Juvenile Award
Nominated–BAFTA Film Award
1961 The Parent Trap Susan Evers / Sharon McKendrick Nominated–Golden Globe
Nominated–Golden Laurel
1961 Whistle Down the Wind Kathy Bostock Nominated–BAFTA Film Award
1962 In Search of the Castaways Mary Grant
1963 Summer Magic Nancy Carey Nominated–Golden Globe
1964 The Chalk Garden Laurel
1964 The Moon-Spinners Nikky Ferris
1965 The Truth About Spring Spring Tyler
1965 That Darn Cat! Patti Randall 2nd Place–Golden Laurel
1966 Sky West and Crooked Brydie White USA title: Gypsy Girl
1966 The Trouble with Angels Mary Clancy
1966 The Daydreamer The Little Mermaid (voice)
1966 The Family Way Jenny Fitton
1967 Africa: Texas Style Blonde girl at airport (uncredited)
1967 Pretty Polly Polly Barlow USA title: A Matter of Innocence
1968 Twisted Nerve Susan Harper
1970 Take a Girl Like You Jenny Bunn
1971 Mr. Forbush and the Penguins Tara St. John Luke USA title: Cry of the Penguins
1972 Endless Night Fenella 'Ellie' Thomsen
1974 What Changed Charley Farthing Jenny USA title: The Bananas Boat
1974 Deadly Strangers Belle Adams
1974 Thriller Samantha Miller Episode: "Only a Scream Away"
1975 The Kingfisher Caper Tracy
1979 The Love Boat Shirley Tyson 1 episode
1980 The Love Boat Leila Stanhope 1 episode
1981 The Flame Trees of Thika Tilly Grant TV mini-series
1983 Tales of the Unexpected Claire Hawksworth Episode: "A Sad Loss"
1984 Grimm's Fairy Tales and Storybook Series
TV series
1985 The Love Boat Dianne Tipton 2 episodes
1986 The Parent Trap II Susan Carey / Sharon Ferris TV movie
1986 Murder, She Wrote Cynthia Tate Episode: "Unfinished Business"
1986 Amazing Stories Joan Simmons Episode: "The Greibble"
1987 Good Morning, Miss Bliss Miss Carrie Bliss 1987–1989 (14 episodes)
1988 Appointment with Death Miss Quinton
1989 The Parent Trap III Susan Evers / Sharon Grand TV movie
1989 The Parent Trap: Hawaiian Honeymoon Susan Wyatt / Sharon Evers TV movie
1990 Back Home[disambiguation needed] Mrs. Peggy Dickinson TV movie
1990 After Midnight Sally Ryan
1994 A Troll in Central Park Hilary (voice)
2000 Sir John Mills' Moving Memories Herself Interviewed about her childhood memories
2004 2BPerfectlyHonest Terri
2005 Stricken Hildy
2006 Pola Negri: Life is a Dream in Cinema Herself Interviewed in depth about working with silent actress Pola Negri in the film The Moon-Spinners (1964)
2007–
present
Wild at Heart Caroline Du Plessis 2007–present (19+ episodes)
2010 Mandie and the Cherokee Treasure Mary Elizabeth Taft Post-production
2011 Foster Mrs Lange Post-production

By Years

1833 (1) 1836 (1) 1844 (11) 1848 (3) 1850 (2) 1862 (1) 1863 (1) 1866 (1) 1867 (1) 1898 (1) 1932 (2) 1935 (1) 1938 (3) 1939 (1) 1947 (2) 1950 (1) 1958 (1) 1960 (1) 1961 (1) 1962 (1) 1964 (6) 1965 (1) 1966 (2) 1967 (2) 1968 (1) 1969 (1) 1972 (1) 1973 (1) 1976 (1) 1977 (3) 1978 (2) 1979 (15) 1980 (2) 1981 (9) 1982 (3) 1984 (1) 1986 (1) 1989 (6) 1990 (17) 1991 (10) 1992 (4) 1993 (15) 1994 (4) 1997 (2) 1999 (3) 2001 (3) 2002 (4) 2003 (2)

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